Feng Xiaogang: the director must give the actor a sense of trust.

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 Feng Xiaogang: the director must give the actor a sense of trust.


As for why he chose Agglomeration as the main case, Liu Haibo, the host and vice president of Shanghai Vancouver Film Academy, explained that because it was Fengs transformation work, and why he chose to shoot Agglomeration, Feng Xiaogang said that during the period of No Thieves in the World, his creation had changed. Ge You has changed from the past. The leading actor became a supporting role, and Andy Lau became the protagonist, and the relationship between them became more complicated. The assembly number is completely different from the past. It is a very interesting change.

Spielbergs Saving Private Ryan and Jiang Diguis Tai Chi Flag Flying deeply touched Feng Xiaogang. In the past, our war movies were more heroic and fearless. We neglected the tension when we feared fighting as living people. The fear of war is the essential expression and warning of war movies. Feng Xiaogang believes that only when actors and directors have absolute mutual trust can a film really succeed. Actors are a position that relies on self-esteem to survive, but many directors do not pay attention to this point, which can easily lead to actorsself-doubt. Feng Xiaogang said that when he was shooting Aggregation Number, he interviewed dozens of millet fields, and found that Zhang Hanyu, an actor who always plays for others, was his own idea. To the hero, he also uses Jia Zhangkes Xiaowu as an example to show that the actors who play Xiaowu naturally reveal their acting skills, which just shows that Jia Zhangkes director has given the actors absolute freedom and full trust. Actors need a sense of security very much. I fall down freely. You can catch me. The director wants to give the actors such a sense of trust. Feng Xiaogang said, when an actor is not in a state, striking or scolding will make the actors performance disappear. Actors need self-confidence, encouragement, and even the feeling that they are acting very well, so that their performance can be particularly relaxed.

When it comes to Fanghua, which was very popular last year, Feng Xiaogang said, I have been in the army and have a deep feeling for the army. Fanghua is also my life experience. If ones creation can be combined with his own life experience, it will be very rich. Feng Xiaogang also revealed that the six-minute long war scene in Fanghua was produced by the special effects team responsible for the Korean film Tai Chi Flag Flying. Feng Xiaogang put forward the idea of establishing Blue Xiang School of Film Technology very early, calling for the cultivation of practical talents. On the spot, he once again said that Chinas film box office and film industry have made rapid progress, but the film industry is still relatively backward: In addition to photography, fine arts, scriptwriting, films such as clothing Huadao just need to work, basically apprenticeship. System, and talent scarcity, many times, many groups use the same group of people, long-term in a state of extreme fatigue. So if we can cultivate these people, the overall quality can be greatly improved. I hope that the Academy really appears in the movie industry. (Wen / Bei Qing Bao reporter Xiao Yang) this article source: Beiqing Net - Beijing Youth Daily editor in charge: Yang Ming _NV5736

When it comes to Fanghua, which was very popular last year, Feng Xiaogang said, I have been in the army and have a deep feeling for the army. Fanghua is also my life experience. If ones creation can be combined with his own life experience, it will be very rich. Feng Xiaogang also revealed that the six-minute long war scene in Fanghua was produced by the special effects team responsible for the Korean film Tai Chi Flag Flying.

Feng Xiaogang put forward the idea of establishing Blue Xiang School of Film Technology very early, calling for the cultivation of practical talents. On the spot, he once again said that Chinas film box office and film industry have made rapid progress, but the film industry is still relatively backward: In addition to photography, fine arts, scriptwriting, films such as clothing Huadao just need to work, basically apprenticeship. System, and talent scarcity, many times, many groups use the same group of people, long-term in a state of extreme fatigue. So if we can cultivate these people, the overall quality can be greatly improved. I hope that the Academy really appears in the movie industry.

(Wen / Bei Qing Bao reporter Xiao Yang)