Reconstruction of legendary women from the new perspective of the official ending of palace Ci of the great Song Dynasty

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 Reconstruction of legendary women from the new perspective of the official ending of palace Ci of the great Song Dynasty


From the time when she was blocked from entering the palace to the time when she helped her son to become emperor, the palace Ci of the great song dynasty reconstructed the legendary life of Liu e from the perspective of women in the new era. In the official history, this figure was evaluated as having the virtue of lvwu, but not the evil of lvwu. Through the legend and romance, the woman who was criticized by folk stories was able to live in a new story, and Liu e was reborn. Looking back on the whole drama, it is not difficult to see Liu es extraordinary political courage and ability in governing the country. She ended the party struggle, set up an admonishment court, opened up her voice, skillfully set up a screen plan to eliminate the power minister. Ding said that in the year of severe drought, she introduced early maturing drought tolerant Zhancheng rice to solve the famine, negotiated with Kou Zhun about the governments control of paper money to make friends, stabilized the imperial court, and left Zhao Zhen a court of political and human harmony, It laid a solid foundation for Renzong Shengzhi and was a solid founder and pioneer.

It can be said that the palace Ci of the great song dynasty reshapes the neglected female power in history. It not only gives Liu e a chance to breathe again in her tragic life, but also echoes the cross era of female power in the current era of womens rise. In the transformation, development and advancement of Liu es character, it makes the audience grow up together with her, I really realized Liu es wisdom and forbearance, and felt the power of women. In the ancient patriarchal society, how did a woman gain social recognition? In the current situation of equal rights between men and women, how should the creators of the female perspective in a new era view the life of this woman who has been recognized by men in history? Li Shaohong gave her own answer. In her view, the real female perspective is not to give women any label, women can freely realize their ideals, which is the core of the Song Dynasty palace CI. In the play, in the face of Su Yijians suggestion that she should ascend the throne, Liu e is directly angry and denounces it, which has won the evaluation of no lvwus evil by later generationsu201c Wu Zetian, empress Lu and Liu e, who had the virtue of Lu Wu but not the evil of Lu Wu, were judged in the old times for whether they seized power or not, but now their good and evil seem to have been reversed. Especially Liu e, she does not usurp power, men admit her, this recognition is discrimination in a sense. Therefore, womens perspective should be seen. History is told by men. From the perspective of womens narration, the same history and the same story may have another possibility. From Liu e, we can imagine whether many women in history have been misinterpreted, Li Shaohong concluded.

New interpretation: Inheriting Traditional Culture

In order to reproduce the simple and elegant aesthetic style of Song Dynasty and seek the inheritance significance of song style and elegant rhyme, the great song palace CI interprets and displays the ancient dusty history from a new perspective and in a new way, and continuously outputs fresh discussions and significance in different contexts of the times for the audience, making it radiate new value and significance, becoming a rare new play in the market. In fact, Gong Ci of the great Song Dynasty is not only the continuation of Li Shaohongs Gong Ci series, but also the retrospection and inheritance of song rhyme culture. Whether its the scroll version of the opening song that has been highly praised since the beginning of the broadcast, or the restoration of traditional music by tea ordering culture, song brocade skills, flower arrangement and incense burning, song aria, or the famous painting Han Xizais evening banquet, which is shown in the form of film and television, with the cooperation of photographers and actors, making use of light, shadow and smoke to create unique visual enjoyment, By means of Ruihe Tu, which is reproduced by the Tianshu movement, including the bow and crossbow restored in the play, the worlds first clock water transport instrument Xiangtai and so on, Song Dynasty palace Ci has achieved the combination of history and culture. Fu Hua Dao is no longer a delicacy floating on the surface, but is really integrated into the plot, becoming an indispensable part of the integration of scenes, highlighting the magnificent style of the times. Its no wonder that many audiences want to travel through the Song Dynasty and feel the prosperity and elegant demeanor of one city with song rhyme and half city water, Bianjing is rich and beautiful, and there is no one in the world.

In addition, the display of traditional etiquette is also the most eye-catching stroke of the Song Dynasty palace Ci, which shows the cultural connotation of the Song Dynasty and the respect of the cast for traditional culture. For example, the celebration of Wai pen after the new royal sons full moon, the film and television presentation of lost traditional rituals such as the ceremony of hairpin, the ceremony of coronation, and the ceremony of Fengchan, and Zhao Hengs recitation of the works of the Royal offspring are all singing, all of which restore the style of Song Dynasty in detail. On the other hand, adhering to the sense of responsibility and belief of let the classics go on forever, director Li Shaohong hopes that Song Dynasty palace Ci can be used to enhance the understanding of current movies and TV plays and young people on the knowledge of classic culture. Therefore, as the core story of the whole drama, civet cat for Prince, through the re deconstruction of conspiracy to become Yang, skillfully combines the historical truth and artistic truth, gives a new carding and construction to the historical suspense, and returns Liu es innocence, so that the historical legend series can guide the audience with the correct view of history and give play to the real value.

In addition, the display of traditional etiquette is also the most eye-catching stroke of the Song Dynasty palace Ci, which shows the cultural connotation of the Song Dynasty and the respect of the cast for traditional culture. For example, the celebration of Wai pen after the new royal sons full moon, the film and television presentation of lost traditional rituals such as the ceremony of hairpin, the ceremony of coronation, and the ceremony of Fengchan, and Zhao Hengs recitation of the works of the Royal offspring are all singing, all of which restore the style of Song Dynasty in detail.

On the other hand, adhering to the sense of responsibility and belief of let the classics go on forever, director Li Shaohong hopes that Song Dynasty palace Ci can be used to enhance the understanding of current movies and TV plays and young people on the knowledge of classic culture. Therefore, as the core story of the whole drama, civet cat for Prince, through the re deconstruction of conspiracy to become Yang, skillfully combines the historical truth and artistic truth, gives a new carding and construction to the historical suspense, and returns Liu es innocence, so that the historical legend series can guide the audience with the correct view of history and give play to the real value.