u300a30u300b The big ending is hard to smooth? Director: sometimes life is hard to complete

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 u300a30u300b The big ending is hard to smooth? Director: sometimes life is hard to complete


Yangcheng Evening News reported on August 12 that the urban emotional drama thirty just ended on Oriental satellite TV. Since the play was broadcast, the ratings have been among the best, and the related topics have been on the hot search for more than 200 times. Recently, Zhang Xiaobo, the director of the drama, said in an interview with reporters: thirty just shows the confusion and frustration of urban women. We hope to convey the concept of respecting womens diverse choices, not defining women and not imposing standards.

Thirty just tells the story of three women of different origins, occupations and personalities who encounter difficulties in life and occupation at the age of 30 and seek breakthrough and self recovery. The stories of Wang mani (Jiang Shuying), Gu Jia (Tong Yao), a full-time wife of Shuangshang online, and Zhong Xiaoqin (Mao Xiaotong), who represent the majority of ordinary women in life, are gradually unfolding in the story of Shanghai Floating single young woman (Jiang Shuying), Gu Jia (Tong Yao), and Zhong Xiaoqin (Mao Xiaotong), who represent the majority of ordinary women in their lives.

Zhang Xiaobo has directed male dramas such as big man married, good sir, I love male nanny and so on. Thirty is his first female theme drama. The cheating man Xu Huashan, the straight man Chen Yu, the Sea King Liang Zhengxian, the playful brother Zhong Xiaoyang Almost all of the male roles have been hotly debated. Male roles are a very important part of womens themes, Zhang said. In the play, the male characters we depict in ink are not just for foil, they have their own personality characteristics He highlighted Chen Yu: in fact, Chen Yu is also very passionate and romantic, but we are not focusing on this romance, but focusing on embarrassment. The more you look back, you will find that Chen Yu has something very valuable, some highlights.

At the end of the plot, Wang mani of Shanghai drifter works hard, but she still fails to take root in Shanghai as she wishes. Gu Jia knows that her husband Xu Huashan will have to help with the aftermath of her adultery. Zhong Xiaoqin uses her book money to buy a house for her mother-in-law These plots make many audiences feel uneasy, and think that the play returns to the strange circle of womens infinite dedication. In response, Zhang Xiaobo responded: thirty is not a good drama. What we want to express is the reflection of reality. Many marriage problems in reality can not be solved in a satisfactory way In Zhang Xiaobos opinion, when the fireworks factory exploded, Xu Huashan went to prison as a legal person, and Gu Jia sold her house to compensate the workers. She did not pay for Xu Huashan, but was her responsibility as an enterprise manager. This sense of responsibility is regardless of gender. Zhong Xiaoqins choice of what to do with the book money is her personal choice, which is her freedom to control her income. Zhang Xiaobo said: it shows some of the dilemmas of modern urban women through thirty only , hoping to respect womens diverse choices, not to define women and not to impose standards. The labels of good wife and good mother or all-round Woman Warrior may be binding on women, hoping that women can live more freely and do not have to pay too much attention to other peoples criteria. Source: Yangcheng Evening News Author: reporter Gong Weifeng, editor in charge: Liu Jiaxin_ NBJS11395

At the end of the plot, Wang mani of Shanghai drifter works hard, but she still fails to take root in Shanghai as she wishes. Gu Jia knows that her husband Xu Huashan will have to help with the aftermath of her adultery. Zhong Xiaoqin uses her book money to buy a house for her mother-in-law These plots make many audiences feel uneasy, and think that the play returns to the strange circle of womens infinite dedication. In response, Zhang Xiaobo responded: thirty is not a good drama. What we want to express is the reflection of reality. Many marriage problems in reality can not be solved in a satisfactory way

In Zhang Xiaobos opinion, when the fireworks factory exploded, Xu Huashan went to prison as a legal person, and Gu Jia sold her house to compensate the workers. She did not pay for Xu Huashan, but was her responsibility as an enterprise manager. This sense of responsibility is regardless of gender. Zhong Xiaoqins choice of what to do with the book money is her personal choice, which is her freedom to control her income.

Zhang Xiaobo said: it shows some of the dilemmas of modern urban women through thirty only , hoping to respect womens diverse choices, not to define women and not to impose standards. The labels of good wife and good mother or all-round Woman Warrior may be binding on women, hoping that women can live more freely and do not have to pay too much attention to other peoples criteria.