Only thirty ushers in the finale and refuses to set limits on life based on female themes

category:Ent
 Only thirty ushers in the finale and refuses to set limits on life based on female themes


In terms of details, the handling of thirty just can be called conscience. Life is everywhere. Its just an immersive experience of watching drama. In addition, the play has an account of the original families of Gu Jia, Zhong Xiaoqin, Chen Yu and other characters. Gu Jia lost his mother since childhood, so he has great expectations for a perfect marriage. Chen Yu was not as popular as his younger brother and began to be afraid of having children in the face of his frustrated younger brother. Zhong Xiaoqin, living under the protection of his parents, has become a typical post it girl. It is these massive and real details of human nature that make each character closer to life and stimulate the empathy of the audience. While chasing the play, the audience cant help but cry for Wang manis rental house without a water dispenser, and applaud Gu Jia for tearing up Lins possession At the end of the drama, the scallion cake stand, which appears frequently, is jokingly called the fourth hostess by the audience. Every time it appears, it is as calm as water and rarely brings a sense of stability to the audience. She is the representative of the most ordinary people in life, but because of her ordinary and industrious parents and sensible son, she has more sense of happiness. These warm, small and fragmentary things are life. At the same time, it also shows that in this city, everyone has their own joys and sorrows. Whether they are happy or not has nothing to do with their economy, age and occupation, but whether they have a just mentality: life does not necessarily have to ride the wind and waves, as long as they bravely cross the peaks of life in their own world! Source: Netease Entertainment editor: Chen Shaojie_ b6952

In terms of details, the handling of thirty just can be called conscience. Life is everywhere. Its just an immersive experience of watching drama. In addition, the play has an account of the original families of Gu Jia, Zhong Xiaoqin, Chen Yu and other characters. Gu Jia lost his mother since childhood, so he has great expectations for a perfect marriage. Chen Yu was not as popular as his younger brother and began to be afraid of having children in the face of his frustrated younger brother. Zhong Xiaoqin, living under the protection of his parents, has become a typical post it girl. It is these massive and real details of human nature that make each character closer to life and stimulate the empathy of the audience. While chasing the play, the audience cant help but cry for Wang manis rental house without a water dispenser, and applaud Gu Jia for tearing up Lins possession At the end of the drama, the scallion cake stand, which appears frequently, is jokingly called the fourth hostess by the audience. Every time it appears, it is as calm as water and rarely brings a sense of stability to the audience. She is the representative of the most ordinary people in life, but because of her ordinary and industrious parents and sensible son, she has more sense of happiness. These warm, small and fragmentary things are life. At the same time, it also shows that in this city, everyone has their own joys and sorrows. Whether they are happy or not has nothing to do with their economy, age and occupation, but whether they have a just mentality: life does not necessarily have to ride the wind and waves, as long as they bravely cross the peaks of life in their own world!