Pu Cunxin criticizes actors for neglecting the drama and making little progress in TV drama money

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 Pu Cunxin criticizes actors for neglecting the drama and making little progress in TV drama money


At the beginning of 2019, Pu Cunxin is performing the teahouse which runs through his 20 years; near the end of the year, the original drama Lin Zexu starred by him will land in the National Grand Theatre in the middle of December. The magic of the stage has never faded in pucunxin. Referring to his wish for the new year, pucunxin blurted out: one unexpected play at a time.

At the end of November, the Daliang Mountain International Drama Festival officially opened in the land of mountains, waters, songs and dances in Western Sichuan. This is the first International Drama Festival in Western China jointly built by Pu Cunxin and gidimaga, Liao Changyong, Alai, Li Ting, etc. they hope to open up a new place for drama.

Before coming to Daliang Mountain, Pu Cunxin read Mr. Lao Shes master Zongyue in the West theater of Gulou in Beijing. Without him, I would never have been admitted to school. Without him, I may never remember the fun and significance of helping others. .

It is also the wish of Pu Cunxin and all the sponsors of the festival to make good use of the drama works to influence more people. Master Zongyue shows us that there are such people in the world! Always smile, no day unhappy. Happy or bitter, he is still smiling, he will always help others, how can we have such people in the world? Because meeting a person has a profound impact on Lao Shes later formation of human feelings. Pu Cunxin is moved by the feelings in this work.

As early as March this year, at the launching ceremony of the Daliangshan International Drama Festival, Pu Cunxin said that Bernard Shaw once said: life is not a short candle, but a torch that we hold temporarily. We must burn it very bright and bright, and then give it to the next generation of people.. Then, in the Yi Peoples settlements famous for the torch festival in the world, we use drama to fuel the fire. Liangshan and Xiaoshan are the stage.

All for the drama, all for the audience. Pu Cunxins attitude is very clear. To hold a drama festival is to have more and more audiences who love drama, and they are to make progress together with the audience.

In 1999, directed by Lin Zhaohua, Beijing Peoples art rearranged teahouse with a new cast, performing in the capital theater, and Pu Cunxin played Chang Siye. At the beginning of this year, this edition of teahouse is still in operation, with Liang Guanhua, Pu Cunxin, Yang Lixin, Gong Lijun, Feng Yuanzheng and other original performers still taking part in the performance.

For decades, with a flick of the fingers, the queues and enthusiasm of the audience for tickets have been growing year by year.

Think about who bought tickets 20 years ago? The audience accompanied us to make progress. They supported our version of teahouse by buying tickets. The young teahouse played for 20 years. So in this case, I think the audience is training me. In the light of this, Pu Cunxin thinks that the core criterion for judging the level of a new drama festival is the audience.

Pu Cunxin often watches excellent performances, drama festivals and invited exhibitions all over the world. He knows where his gap and progress space are.

Some of the actors in our theater dont pay much attention to watching plays. They just want to earn money for TV plays. He doesnt watch these invited exhibitions at these festivals. As a result, they have been performing for many years and seem to have made little progress. Pu Cunxin described that he often watched and studied drama as sweet taste. You see, it has an impact on me, so it will have an impact on the local audience, artists and actors, which is invisible..

Describing the beauty of drama and opera, pucunxins eyes are full of vivid light.

In his mind, the cultural connotation behind that is natural and classical. Its the wind, the leaves are fluttering, and the first flower opens in spring. Its a subtle depiction of nature. Its a kind of sadness that is greater than the sadness of leaving, which we dont have today. Therefore, if this kind of traditional culture and classical literature are absent, opera is at most the personality and hobby of a few people. Pu Cunxin said that all their efforts are to make such a beautiful culture not endangered today.

Pu Cunxin hopes that there will be more audiences in the drama. He will sincerely say ah, the drama is so beautiful. He also believes in the charm of the drama itself and can make many people like it slowly. Pu Cunxin observed that Chinese Theatre audiences tend to be younger than those abroad.

Originally, I wrote the word drama is a way of understanding Tao, and art is self-cultivation . Drama is more abundant in dance and music. What is drama? Its a performance with plot and story on the stage. It must happen on the stage, not copy art.

Standing at the starting point of the first session of the Daliangshan International Drama Festival, Pu Cunxin has already looked forward to next year and the next year. Daliang Mountain has 14 well preserved original cultures of its ethnic groups, and the cultural phenomenon of Daliang Mountain that has sprung up in recent years is the basis for the holding of the drama festival. We are slowly cultivating our own cultural and ecological garden. The flower garden we cultivate should be worthy of being picked by bees..

Pu Cunxin is very concerned about the deep participation of local audiences and artists, but he is also calm and free-minded. All things, lets do it today, lets open our eyes first..

At the end of 2019, the original drama Lin Zexu starring Pu Cunxin will be put on. If I dont play Lin Zexu, I dont know so many stories. Mentioning the performance, he was so excited that he spoke of Lin Zexus lines in the play, Hey, do something with my disabled body.. In order to play the role well, Pu Cunxin tries to mobilize the traits that can be close to Lin Zexu in his life, the most realistic quality of the drama itself. Its OK to do anything. Before the war, the soldiers were very nervous, especially when they were just on the battlefield before the enemy showed up If we really fight, we will have courage! Pu Cunxin uses his performance experience to sum up his mood in the face of every new challenge: when you go out of the screen during the performance, when you face the audience, the tension just now should be forgotten. But I have to be nervous at the beginning, it must be so. Source: responsible editor of China Youth Daily: Hu Mengyao, nk5655

At the end of 2019, the original drama Lin Zexu starring Pu Cunxin will be put on. If I dont play Lin Zexu, I dont know so many stories. Mentioning the performance, he was so excited that he spoke of Lin Zexus lines in the play, Hey, do something with my disabled body.. In order to play the role well, Pu Cunxin tries to mobilize the traits that can be close to Lin Zexu in his life, the most realistic quality of the drama itself.

Its OK to do anything. Before the war, the soldiers were very nervous, especially when they were just on the battlefield before the enemy showed up If we really fight, we will have courage! Pu Cunxin uses his performance experience to sum up his mood in the face of every new challenge: when you go out of the screen during the performance, when you face the audience, the tension just now should be forgotten. But I have to be nervous at the beginning, it must be so.