The first exposure of thirty just to the plight of urban women

category:Ent
 The first exposure of thirty just to the plight of urban women


Present the real womens Dilemma and resonate with painful topics

Thirty just focuses on the group of 30-year-old urban women. Although they have different identities, they are all faced with the survival difficulties of urban women, and they are also trying to get out of these difficulties. Wang WanNI (Jiang Shuying) is a senior salesman. She has worked hard for many years to understand the citys survival rules. She firmly believes that the most worthy investment is to constantly promote herself in the workplace and arm herself to the best with her strength. Gu Jia (Tong Yao) is the perfect wife who is the head of the family and the company. She can handle any interpersonal relationship easily, but the role of full-time wife also makes her bear Under a lot of pressure; Zhong Xiaoqin (decorated by Mao Xiaotong) was originally the most standardized, but when she flatly smoothed all the details and interests of life, her seemingly stable marriage also faced collapse, and she tried to walk out of the safe area of life.

In the first film of this exposure, the opening line of youre 30 this year, right? points directly to the age pain point of urban women, spreading out all kinds of difficulties faced by 30-year-old women in front of the public: for women, whether 30-year-old means buying a house, saving gold, having children, and leaving a way for themselves; whether 30-year-old means that you cant easily do what you like; whether 30-year-old means It means that the promotion channel is blocked, not to mention entrepreneurship, and can only accept the established identity; whether 30-year-old means that you cant have the right to dream. These questions are presented one by one along with the heartfelt lines in the film, including age crisis, career promotion, gender discrimination, birth choice, marriage maintenance, sense of belonging to the city, womens social prejudice, self-worth realization, etc. Every line is worth pondering and full of topics, and how the three women get out of the dilemma will be answered in the plot.

Realistic atmosphere, high quality products, gold medal team and women care

Womens dramas have always attracted much attention. Thirty just focuses more on the creation of realistic atmosphere, striving to present a fresh and real life style of urban women. It can be seen from the grounded characterization, solid lines, and sensitive topics set in the film. The 30-year-old urban women in the play are faced with problems, such as wandering in the big cities to find a sense of belonging, the full-time wife trying to break the prejudice of social identity, and trying to walk out of the self comfort zone in a seemingly stable life, which makes the audience more likely to have a sense of substitution and personal experience. Different characters of the three women set up the unique charm of each woman, and the lines also released the fearless mentality of 30-year-old women. Meanwhile, the plot revolves around age crisis, career promotion, gender discrimination, birth choice, marriage maintenance, self-identity and social identity, and promotes the social topics in the play tend to be more concrete, directly stabbing womens pain points and triggering Strong resonance, these important elements enable thirty just to stand firm realistic theme, highlighting the quality of the product. The film and television of Ningmeng is deeply involved in womens real themes and is committed to creating a series of high-quality urban topical dramas for womens growth. As a representative work of the series, 30 just has been concerned by the industry and expected by netizens without being broadcast. In terms of production, Zhang Yingji, Zhang Xiaobo, director and Xu Xiaoou, the chief producer, the gold medal team of the reality oral drama Mr. good, once again worked together to operate the knife, and the quality has been the best guarantee. In addition to solid quality, the main creator confessed that this time, he injected more deep concern for women and the society, which can be seen from the dilemma shown in the play. The story can only give enlightenment by facing the dilemma directly, relieving the dilemma, spreading out the problems truly and solving the problems. The gold medal team joined hands with the strength of the leading role to jointly create this everything in front of us, but only 30 life growth. Source: Netease Entertainment editor: Jin shuou nbj4322

Womens dramas have always attracted much attention. Thirty just focuses more on the creation of realistic atmosphere, striving to present a fresh and real life style of urban women. It can be seen from the grounded characterization, solid lines, and sensitive topics set in the film. The 30-year-old urban women in the play are faced with problems, such as wandering in the big cities to find a sense of belonging, the full-time wife trying to break the prejudice of social identity, and trying to walk out of the self comfort zone in a seemingly stable life, which makes the audience more likely to have a sense of substitution and personal experience. Different characters of the three women set up the unique charm of each woman, and the lines also released the fearless mentality of 30-year-old women. Meanwhile, the plot revolves around age crisis, career promotion, gender discrimination, birth choice, marriage maintenance, self-identity and social identity, and promotes the social topics in the play tend to be more concrete, directly stabbing womens pain points and triggering Strong resonance, these important elements enable thirty just to stand firm realistic theme, highlighting the quality of the product.

The film and television of Ningmeng is deeply involved in womens real themes and is committed to creating a series of high-quality urban topical dramas for womens growth. As a representative work of the series, 30 just has been concerned by the industry and expected by netizens without being broadcast. In terms of production, Zhang Yingji, Zhang Xiaobo, director and Xu Xiaoou, the chief producer, the gold medal team of the reality oral drama Mr. good, once again worked together to operate the knife, and the quality has been the best guarantee. In addition to solid quality, the main creator confessed that this time, he injected more deep concern for women and the society, which can be seen from the dilemma shown in the play. The story can only give enlightenment by facing the dilemma directly, relieving the dilemma, spreading out the problems truly and solving the problems. The gold medal team joined hands with the strength of the leading role to jointly create this everything in front of us, but only 30 life growth.